
While sketching at the Florida Film Festival wrap party, Margaret Nolan introduced herself to me. This was the first time I had met her in person. I requested to become a facebook friend with her when I saw that she had tagged some colorful photos of a production of Panther and the Cane. Margaret's tag lead me to research the Ibex Puppetry Company and I discovered a whole series of wonderful development drawings produced by Heather Henson, for the show. I immediately e-mailed Heather and asked if I could tag along for rehearsals and any last minute creative work being done. I was thrilled when she e-mailed me back. She explained that she had obsessively kept sketch journals at different periods of her life and so she fully understood my mission.
Heather suggested I go to the Henson studio and watch Tamara Marke Lares who is an amazing artist, working on the costumes for the show. The studio is located in this colorful old building downtown. I knocked on the door but there was no answer. I looked in the doors glass panes through some light lace curtains and saw a fantastic explosion of shapes and colors. Blue gossamer birds hung from the ceiling, a mannequin head was on the mantle piece with pins sticking out of its head and assorted bits and pieces of colorful fabric were everywhere. There was no chance I could walk away from that door. I assumed Tamara wasn't in yet so I did what any artist-journalist would do, I camped out in front of the house and began to sketch. Before the sketch was complete Tamara and Craig, her husband drove up. Since we had met previously, the introductions were short and sweet and Tamara quickly got to work...
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