Showing posts with label Leslie Silvia. Show all posts
Showing posts with label Leslie Silvia. Show all posts

Orlando Home Grown Show

As part of the week long Snap Photography celebration, there was to be an exhibit of photography from Orlando locals at the Orlando Museum of Art as part of First Thursdays. Johannah O'Donnel was there and I was told she helped organize the exhibit. On exhibit in the front gallery were paintings which all revolved around an urban theme. I made my way back towards the sound of music. I bumped into Joe Rosier who was promoting his one man storytelling show in the up coming Fringe festival. I am trying to arrange to sketch Joe since he has so much character.

In the central room of the museum with the giant blue blown glass sculpture by Dale Chilhuly a simple two man band was warming up. Adriaan Mol was playing guitar in his laid back fashion. The bands name was, Please Respect our Decadence. There was a nice tall cocktail table right in front of the stage so I started to sketch. I always get nervous sketching in museums now and I kept tracking the museum guards movements as I worked.

Jared Silvia said hello and he let me know where the photography exhibit was. When I finished sketching I went to the back gallery where the photo exhibit was hung. Jared let me know where his wife Silvia's piece was hung. She was near her photo talking with friends. I jokingly asked her to stop crowding the art so I could get a look. It was a stark almost black and white photo of a woman in a flowing white dress lying in a stream. I couldn't see the woman's face. It looked to me like a murder scene. I talked to Jared about it and he said I was wrong. It was a more romantic and symbolic image with personal significance. I mentioned Dustin Hoffman floating in the pool in a scene from "The Graduate." I hit much closer to the mark with that visual analogy.

Snap was like a week long shot of adrenalin. This dynamic, inspiring event shook me to the core making me realize the importance creative media can have to affect positive change. The city of Orlando really needs events like this to challenge, provoke and inspire creative change.

Johnny Cash Tribute at Redlight Redlight

Redlight Redlight, (745 Bennett Rd) is a hip bar that often has themed shows of local artists' work. On this night the walls were covered with Johnny Cash portraits. Plineo Pinto had several sweet watercolor caricatures that I liked. I bumped into Leslie Silvia who showed me the nasty blisters she got on her hands from a recent crewing competition. She had some nice silhouettes of Johnny Cash. American Destitution, was on stage playing Johnny Cash songs. I asked Jared Silvia how long they had been playing to try and gauge how long I had to sketch. The place was packed so I sat on the floor right in front of the stage to get my sketch.

After the set was over, I talked to one of the performers and he told me this was the first time the band members had performed together in a very long time. I still hadn't ordered a beer so I muscled up to the bar and ordered a Cony Island Mermaid. The beer was dark and strong. I settled into a corner table and started a second sketch. A movie screen was set up on the stage and Johnny played for the crowd flickering and a bit distorted. His music and the swift kick from the beer made me blue. I wondered what lively conversations were flaring up around me. My hand moved over the pages involuntarily. With my second sketch finished, I decided to get home. As I left a group of graffiti artists stopped me to say hello. I had sketched these artists at Frames Forever and Art Gallery as they worked on large mural panels. I was fading and a bit depressed from listening to Johnny Cash for several hours so I didn't socialize long. Terry was away at some conference in Texas so I could have stayed out much later. But my work was done.

Awakening the Dragon Boat

Leslie Silvia gave me a tip that a Dragon Boat was going to be launched at Lake Fairview at the Orlando Rowing Club. As I approached the park, pink balloons let me know I was at the right place. After I parked I walked up towards the lake because I could see the dragon boat on a trailer behind a pick up truck. There was a chain link fence between me and the boat so I walked the length of the fence looking for an entry. I didn't find one, all the entrances were locked up. I walked back the other way towards a crowd of people many of them wearing pink shirts. As I approached this crowd underneath a picnic pavilion, Leslie saw me and approached. She gave me a program and explained what was about to happen. Before the boat would be launched, there would be opening remarks and a performance of the Orlando Taiko Dojo. I set up and started sketching the performers. The rhythmic drumming didn't last very long and I rushed to get as much detail into the sketch as I could before they left the stage. I was just starting to apply color as the group stopped and prepared to go home. I had chosen to sit at the table where the performers had left their supplies so when they were done I found myself surrounded. A little boy saw me working and stood right in front of me watching me work. His friend tried to convince him to go play on the swings but he stood transfixed. I had to lean side to side so I could see around him.
When a new Dragon Boat is launched a black mark is painted on the center of the dragon's eye. According to legend, the dotting of the eye awakens the dragon, and grants the boat and it's racers good luck. Dragon boat racing commemorates the life of Qu Yuan who lived in the third century BC. He was a minister who advocated reforms for his home state of Chu. The king refused to listen and Qu Yuan was banished. When Qu Yuan heard his home had been invaded, he drowned himself in the Mi Lo river. Local fishermen rushed out in boats in an attempt to save him. They beat drums and thrashed the water with paddles in an attempt to keep fish from eating his body. Rice dumplings were thrown in the water to try and lure the fish away.
When I finished this sketch, I walked out to the water where a dragon dance had just stopped. All of the women in pink shirts turned out to be breast cancer survivors and they were the dragon boat's crew for the maiden voyage. I followed them out to the dock where the boat was moored and considered getting a sketch as they loaded into the boat but the moment was gone in an instant. The boat had been funded by Harriet Lake and named for her daughter and breast cancer survivor Shelly Lake and Harriet's sister Isabel Etter. The warriors paddled the boat gently off shore and then they threw pink and red carnations into the water to commemorate people they knew who had died from breast cancer. The flowers floated gently back to the dock in the afternoon breeze. The women in the boat were known as Warriors on water (WOW). A woman sat at the each end of the boat and the woman in back shouted out a beat for the rowers to synchronize to. The sun was setting creating bright orange flashed on the water, as the warriors gracefully cruised out to the center of the lake and back. I stood on the edge of the lake for the longest time thinking I might get one more sketch, but I decided it would be dark before I finished. I simply etched the image in my mind and vowed to return to sketch another day.

Lesley Silvia working at Stardust

I met Lesley Silvia and her husband Jared at a Kerouac House event. As I have been sketching more and more in Orlando's more artsy cafes, like Infusion Tea, Dandelion, Seven Sisters, and Stardust, I have become curious about all the people who sit and use their laptops for extended periods of time. Lesley works on her photos and graphic design work using a laptop and Photoshop or Illustrator, InDesign and on rare occasions Painter. She had arrived at Stardust before me and had just finished a dinner of nachos. She and her husband who is a writer, usually work together. Silvia enjoys working in Stardust because it has free WI FI and she feels Dandelion and Infusion have a more mature crowd. Stardust is a more comfortable fit for a young edgy artist. She also likes to work in Winter Park's Central Park sitting on a bench in the shade, or she goes to Borders and looks through a few magazines for inspiration before she gets to work on the laptop.
As I sketched, Silvia was working on a series of photos called Pinatas. This series resembles crime scene photos where people are shown injured or dead with candy in place of blood. It is a unique and somewhat unnerving series of photos. Her graphic design work is inspired by the Swiss, it is clean neat and tidy.
Silvia was just 10 years old when she took her first photography class. She and her brother learned to make the pinhole cameras at one of the art camps they attended. Her work to this day plays with photography's earliest forms. Her father helped her with a little bit of photo composition at an early age although at the time she didn't know photography would be her passion. I high school she discovered that photography was really fun and took every class offered. In college she got a BA in Studio art with a minor in philosophy and her independent study focused on photography. Like most artists she has many facets including an interest in sculpture and graphic design.
Silvia is a full time course director at Full Sail University teaching Digital Photography. She gets freelance work through word of mouth and serendipity. She has shot some weddings and portraits. She shot photos for an Australian Rock Band who was later signed by Columbia Records. The record company asked her to take the rock band pictures off of her web site. She just removed the groups name and the lawyers stopped hassling her. Past clients include Scottish Highland Games and Mega Con. Her favorite assignments are outdoor shoots using natural light and shot with film.