The Creative Center’s AIR Program funded by LIVESTRONG

United Arts applied for a grant to LIVESTRONG to bring the creative process to patients at MD Anderson Cancer Center. The Creative Center Artist-In-Residence Program was made possible through a cooperative agreement with LIVESTRONG. This is the inaugural year and I arranged to sketch Andrea Canny as she brought art to patients. I met Katie Dagenais in the lobby and she arranged for patients to sign releases before leaving me with Andrea. Joan Dougherty was the patient we visited with. Joan sat in the tiny room with her friend waiting to get her chemo therapy. Andrea explained all the art supplies she had on her cart and Joan quickly decided she would do a collage on a mat for Nina, her grandchild.

I thought back to when I was ten years old waiting in a hospital in NYC, a woman invited me to create a small mosaic for my mother who had breast cancer. I became so focused on those tiles intent on creating a masterpiece for Mothers Day. My mom died the day before Mothers Day so she never saw that creation. She was just 47 years old. I wonder where that mosaic is now.

A nurse entered and hooked an IV up to Joan's left wrist. She complained briefly of a burning sensation near the IV site on her wrist, then she started cutting paper in a flurry of artistic activity. She chose a red background with organic swirls rising from the bottom of the page. She then carefully cut out butterflies which she glued in the corners. Her friend said, "I could never do something that artistic, I would rather get a beating!" We all laughed. Andrea started explaining the importance of art in schools and then she had to check in on another artist she was inspiring in the next room. The complex looking IV machine started beeping incessantly. I started to wonder if something was wrong. Joan was lost in her creative process so I relaxed. Soon a nurse cheeked in and the beeping stopped.

Andre said that research showed that patients who were creating experienced pain far less than a control group. They never pushed the red pain medication button. LIVESTRONG is a national program but funding will have to come from grants applied for yearly or private donations. Joan cut out individual letters that spelled out NINA and she glued them to the mat. Her grandchild is at a stage where everything is fresh new and unexpected. Everything is a learning experience.

When Joan was finished with her creation, I finished with my sketch. Joan has a true artistic spirit. Faint whisps of hair lay on her shoulders having fallen from under her beautiful head scarf. It was inspiring to see that art could provide strength and meaning even when life is most challenging. LIVESTRONG offers support and resources to help patients face the challenges of cancer survivorship. Andrea gave Joan a book filled with resources and information. She also gave her a blank journal where she could create anytime.

Afterwards I sketched the MD Anderson Cancer Center. It thrusts up like a towering beacon of hope to help fight cancer. A group of three people walked up beside me. I thought they were curious about the sketch but they picked up a few soda cans scattered in my vicinity and shoved them in a large black plastic bag. They then stepped through a hole in a chain link fence and disappeared.

I thought back to the playful banter Andrea shared with Joan and the way that art can always enrich our lives. I hope that LIVESTRONG continues to flourish and grow here in Orlando. Not ready to die we LIVESTRONG.

United Arts Annual Meeting

The United Arts Annual Meeting was held at the Orlando Museum of Art. I arrived a little early and tried to enter the auditorium but it was locked. The front gallery was set up for a buffet lunch and there was a podium. I started sketching in there until someone let me know that the meeting was in the main auditorium as I first suspected. On the stage were canvases on easels and painters supplies. Ironically most of the supplies were for house painter's rather than fine artists. I know very few artists who use a roller to paint with. No wonder it is hard for Central Floridians to pay market value for art. They just want the walls covered.

Cory Warren showed slides from a new M.D. Anderson Cancer Center artist in residence program that he helped spearhead.Funded in part by the Livestrong foundation this program brings working artists into the hospital to help cancer patients express themselves through art. Patricia Charpentier is helping patients write their life stories and Andrea Canny is helping patients create art. Art can inspire, enlighten and be a comfort when faced with so many overwhelming issues of mortality.

Elaine Hinsdales campaign report was funny, light hearted and to the point. Her first slide of Eduard Munch's "Scream" showed the challenge of raising several million dollars. "Dogs Playing Poker" showed the committee dealing with the hand they had been dwelt. The end result was that they met their goal raising over two million dollars and raising o.8% more than last year.

Several $5000 awards were handed out. One went to the Enzian Theater. They plan to use the money to purchase a new screen for the free outdoor screenings they do on the sloped lawn beside the theater. The second award went to Dario Moore who is the choreographer for "Slave Stories", and he teaches children the importance of expressing themselves through dance. This was the second time in two weeks that I had watched him accept awards.

LiveStrong

Patricia Charpentier informed me that she was going to participate in MD Anderson Cancer Center's new Artists-in-Residence program. Her goal will be to enrich cancer patients lives by showing them the importance of telling their life story. She asked me to go to a press conference at the hospital. Around the podium artists' works were set up on easels. Dr. Clarence Brown III MD, the President and CEO of MD Anderson, introduced Margot Knight, the CEO and President of United Arts. She spoke about how art enriches our lives. Children sing, dance and create with abandon. In many ways, creativity is as important as breathing. She introduced the five or so artists who are spearheading this brand new program. I was surprised when I saw Andrea Canny, a singer and photographer I had met just the night before at a cabaret. Cory Warren of United Arts had done tireless work to make this new program possible.

The LiveStrong grants were awarded to MD Anderson last fall. The LiveStrong organization was founded by cancer survivor Lance Armstrong. The objective being to serve people affected by cancer by empowering them to take action. The Artists-in-residence program will empower patients by becoming absorbed in their own creativity as they meet the challenges of diagnosis, treatment and survorship.

United Arts Grant Panel

The Enzian Theater hosted the United Arts Grant Applications panel meeting for the 2011 Professional Development Grants. 29 Artists and 10 Arts Administrators were to be awarded a total of $33,579. Individual artists could be awarded up to $1000 towards their professional development. The meeting was open to the public.Artists applying for grants were each given a minute to give a brief update on their project and then panelists could ask questions soften adjusting their scores based on the artists response. I didn't pay close attention to how the scoring was done. I know there was a total of 20 points available and different criteria were considered, like feasibility, assurance that the grant will encourage the artist to grow and assurance that the project will promote and strengthen the Orlando artist community. Attending the meeting was a great way to find out what artistic projects are being produced. I also had the added incentive that I applied for a grant this year.

After the morning session was over and my first sketch was done, I had lunch with performance artist Brian Feldman. He told me all about the 11 different performances he is planning for the Orlando Fringe Festival this year. I tried to figure out how to document so many performances by sketching. Sketching while walking is a new skill set I might have to develop.

The Visual Arts part of the meeting began with a slide show of all the artwork that had been submitted. I cringed when I saw some of my sketches blow up on the large move screen. I had selected sketches at random. A sketch of a haunted house made me think, " Why did I send that sketch? Does it say anything about Orlando culture?" There was some amazing work and I hope to catch up with some of the artists during the year. Katherine Mathisen had wonderful ceramic busts of Shamans, Gregorii had bright self illuminated fractal art that was stunning. When R V. got up and started showing a stack of his Pinocchio paintings, he expressed that he always felt like he was behind, never ahead. He runs a gallery that has an international graffiti festival each year. I have to get there this year to draw. Anyway, I learned more about the Orlando Arts scene in an hour than I did over the past year.

Here are sample comments and questions about my grant application.
Quality and Integrity: One of a kind project!
Benefit: The applicant’s contribution to the community has already been outstanding. This can only increase the value of our city.
Quality and Integrity: This makes me feel or think of the artist as the “Norman Rockwell” of our time. Have you identified the venue? When may we expect to see this gallery open?
Quality and Integrity: The best!
Feasibility: No doubt is feasible since you have already been working on this project.
Benefit: Sharing your work is a benefit in itself.
Feasibility: I'm interested in knowing at which venue(s) these will be exhibited.

I thought I would be nervous when it came time for me to discuss me project. Anytime I discuss AADW however I become animated, fueled by the fact that I believe that what I am doing has valve to the Orlando community. I got to tell the panel about a new project called LifeSketch where I team up with local authors who conduct interviews while I sketch. Many Artists in the room were checking the tally sheets to be sure that they had the required score. When I sat down, Rick Jones, I an abstract painter, informed me that I had a perfect score. I had managed to navigate the daunting process and have fun the whole time. Very soon Analog Artist Digital World will be funded in part, thanks to a grant from United Arts. When the meeting was over, I was giddy. I called Terry and we went out for a fabulous Mediterranean dinner.

Orange TV

Emma Kruch of United Arts invited me to go to the Orange TV Studio for an on air interview. The TV studio is located just south of the Orlando Convention Center on a small service road. The white metal building looks like an old airplane hanger. When I entered the secretary told me to follow the "Studio" signs back to the green room. I walked past glass walls behind which were the infinite dials and screens of the editing suites. I yearned to sit down and start a sketch but of course all that detail would take hours to complete. The green room wasn't green. It had a few couches and in the corner a TV was broadcasting a live feed from the studio where Cory Warren was about to conduct an interview. I sat down and then noticed that Emma was curled up in a chair next to the door. I have seen her at arts event all over town but we had never been introduced. She started talking about a recent move she had made which turned into the move from hell. She said she leaned up against a wall in the new place only to have her hand crunch through the termite infested wood. Well she said there were no bugs left but the wooden wall was like tissue paper. It was fun to joke and laugh to relieve some of the anticipation. She realized she was laughing so loud that they might hear her in the recording studio. She opened the studio door, poked her head in and asked the cameraman if he had hears her. She was in the clear but we kept it down from that point on.
With the first interviews over I was lead into the studio and set up with a mic. I felt surprisingly calm like I did this every day. After I sat down make up was applied to my face. Cory and I talked about possible questions and our relaxed conversation resulted in the questions that were to follow. The program by the way is called "Participate - The Cultural Advantage." The interview will air July 15th through August 15th at different times during the day. Emma explained that a schedule can be found on the Orange TV website. I am also going to get a DVD of the interview so I will post that video her when I get it. From somewhere in the room a voice shouted out, "We are rolling, we have speed, and in 5, 4, 3, 2, ..... Cory read the prompter and the interview was off and running. The interview with Cory was relaxed and simple. I got to explain how this site came to be and how I offer a unique view of the Orlando arts scene as seen through the eyes of an artist. Cory wanted me to recount the events of September 2009 when I reported on an event at Lake Eola called "Push Play." At this even a group of activists trying to raise funds for free school supplies thanks to "A Gift for Teaching". At this event participants had MP3 players and they all listened to a file downloaded off the Internet. The audio told them to dance and other quirky behaviors. The problem was the police showed up and the behaviors like lying down on the benches and holding up piece signs looked like a demonstration. Police shouted to find out who was in charge but no one could hear. The participants all laughed as if mocking the police. Everyone was forced out of the outdoor stadium and Jane Thompson the president of "A Gift for Teaching" was issued a summons banning her from the park for one year.
With so many amazing stories collected over the year and a half, the most difficult question was, "What was your favorite event to sketch?" This sent my mind reeling and I finally just decided to relate the details of the post which had gone live that day which was about a fundraiser called Passport to Haiti. I was surprised at how fun it was to relate the stories that I collect each day. If you keep your eyes open and look where the action is there is so much to be discovered right in your own backyard. When my interview was over I sat down behind the cameras and watched Cory interview John DiDonna and Autumn Ames about the red chair project. I worked feverishly to get a sketch to document the occasion.

Chemonologues

Marilyn Wattman, a cancer survivor, wrote Chemonologues and I went to the first reading of the play at Theatre Downtown (2113 North Orange Avenue). The play reading was supported by a professional development grant from United Arts. When I got to the theater, the front doors were locked. Tommy Wingo was also waiting with a huge collection of sound equipment. He made a cell phone call to Brian Feldman, Marilyn's son, and was told to knock loudly. Sure enough, after several loud knocks the doors opened. Marilyn immediately greeted us and showed us into the theater. Tommy set up in the center section and I sat down at stage left and started sketching the stage area. I used my time by penciling all the chairs in the proper locations and when the actors arrived I sketched each in ink on a chair. The theater is a dark intimate space and I fell in love with it immediately.
Chemonologues is set up as a cancer survivors support group. Marilyn interviewed dozens of cancer survivors in order to find the different voices in the play. She began as a reporter but over time realized she was personally and intimately involved. During the talk back after the reading, Mr. Feldman got choked up as he described how Marilyn hated going to support groups. He continued by pointing out the never-ending costs of cancer; medical bills keep piling up and there is no way for the family to deal with it.
Several times during the reading characters clashed and disagreed, but overall the play was more educational rather than dramatic. The information is presented in a preachy manner at times rather than being presented through conversation and action. For me, the play ran too long, but I can see the amazing potential in the premise. One audience member pointed out that too many of the characters in the play were in the acceptance stages of the disease. She wanted to see other stages of grief and denial, like anger, bargaining and depression. She pointed out that it would be nice to get more of a feeling of the day-to-day struggles of living with cancer, and how our health care system often leaves survivors up the creek without a paddle.
The harsh realities presented in this play are difficult to face, but I do feel I understand and can empathize more with families that have to live with the disease. Most everyone I know has had their family touched by cancer at some point and yet it is not something that we talk about very often. This play is a diamond in the rough that could still use some more polishing.
Thumbs up to the cast who only read the play once before this reading and to Marilyn who is taking bold chances, and I hope she continues to do so.

United Arts Professional Development Grants

I assumed that attending the United Arts Professional Development Grants Panel meeting, at the Enzian Theater, would be a boring experience. Sketching this process was quite the opposite. I arrived a bit late, and embarrassed, sat at the table closest to the entry door. I agonized for a moment thinking maybe I should move up closer to the panel table to get a better view. Then I noticed that Aradhana Tiwari and Zac Alfson were sitting at the table in front of me, and Beth Marshall, Dewey Chaffee and Douglas McGeoch were seated at the table to my right. I was surrounded by friends and decided an overall view of the room full of artists was the correct vantage point for my sketch.
After I started blocking in the sketch, one of the first orders of business was Michael Poley talking about how he wanted to produce a half hour documentary about an artist who explores Orlando, sketching every aspect of the arts scene. Several panelists didn't know what he meant by sketches, were these theatrical sketches, poems or moments in time? Some panelists who knew of my work started praising what I am doing. This was something akin to sitting in on my own eulogy. None of the panelists knew I was in the room sketching. I finally decided to march up to the panel and hand over my most recent sketchbook as people's exhibit A. Michael said this stunt helped him gain some points, and I certainly hope he gets the $1000 grant: which, if he does, will still have him investing over four thousand dollars of his own money into the project. This is humbling. I hope my sketches and stories do not let him down.
Artists who were submitting applications for grants had to defend their positions, often being asked how the grant money would help them grow as artists rather than focusing on the techniques of their craft. Dewey Chaffee has just taken a huge plunge by not renewing his contract to work at Disney. He certainly could use the boost a grant would offer now, but the panel seemed convinced that his character Wayburn Sassy was fully developed with no room for growth. One panelist seemed to think Wayburn just offers shock value, but Dewey explained that the character gives people a way to laugh at bigotry and narrow-mindedness. Orlando, in my mind, certainly needs Wayburn Sassy.
When Hannah Miller was asked to discuss her puppetry show called "Thunder Hag", one of the panelists leaned back too far and broke their chair. There was an awkward pause, and Hannah asked if he was alright. Aradhana Tiwari put in a grant to study Viewpoints with the SITI Company and its artistic director Anne Bogart in NYC. Aradhana walked up to the panel and sat as close as possible. She was poised, confident and eloquent. She discussed "Project F" at some length and from the panelists responses, it sounds like she is sure to get the grant. As one panelist remarked,"You are up and coming, go to New York and make it happen."
After the panel discussion broke for lunch, a small group of artists remained standing around the snack table, eating the free pretzels. For me, this was lunch before I went to the next location to sketch. Brian Feldman remarked, "All the real artists in the room are still here." It was fun joking around with these artists, all of them friends, and discovering how they felt about the process. For some, it was like facing the Spanish Inquisition, but there was also comedy and unlimited human potential to be discovered in the room that day.

Newcomers Meet the Arts at the Shakespeare Theater

This informational meeting to introduce people to the arts was held at 8Am at the Shakespeare Theater so people could stop in and then head off to work. John Thiesen the campaign manager introduced the event and explained that representatives from six Arts organizations would talk about what they offer the artistic community. First Sharon Lasic of the Orlando Shakespeare Theater gave a brief history of the building in which we were meeting. The building was for many years the Science Center and History Center of Orlando. After the New Science Center was built, the building was almost torn down to make room for more green area in Lock haven Park. A petition was passed around and the building saved. The Shakespeare Theater started in 1989 at the Lake Eola Bandshell and performances happened outdoors for many years.
Corry Warren from United Arts talked about Arts Fest which will be happening next month. This ten day festival is going on from February fifth to the fourteenth. It is a way to experience theater for FREE although some events have limited seating. Tickets will be available in advance starting at 10 AM on Tuesday February second. Be sure to check the Arts Fest Schedule and get a jump on this amazing opportunity! My calendar is already stuffed full of all the places I plan to go sketch.
Henry Maldinado talked about the offerings at the Enzian Movie Theater. The Enzian is unique in the country in that it is a fantastic place to have dinner and a movie. The Enzian is home to the internationally acclaimed Florida Film Festival as well. I also found out that the Enzina is showing old classic movie on the big screen. This is the one place where you could see Casablanca with Humphry Bogart and Ingrid Bergman. When you experience a movie like that on the big screen you realize why it is a classic.
Suzan Bright talked about the Orlando Philharmonic and how they are helping keep Opera alive by offering limited staged operas with the Philharmonic no longer in the pit, but up on the stage right behind the singers. This new Opera series will include Carmen, and Porgy and Bess. Carmen will be performed February 26th at 8PM and February 28th at 2PM. Porgy and Bess will be performed on April 9th at 8PM and April 11th at 2PM. As usual I dream of sketching these shows from the wings. Get tickets early.
Scott Evans talked about the importance of keeping Arts Education alive and well in the Orlando School System. In a study, the students that took arts classes achieved higher grades than students who didn't take arts classes. Autumn Schafer spoke about the Red Chair Project which offers ways to save on tickets year round. Red Chair offers such amazing deal as two for one tickets and a $99 Arts Sampler which offers a ticket to each of the following, Orlando Ballet, a Broadway Musical, The Orlando Museum of Art, the Philharmonic, Shakespeare Theater, and the Orlando Rep. With so much going on, I can't understand why anyone would want to be a couch potato at home.
After each person spoke an item was raffled off and I won a United Arts Card which offers discounts to arts events all over town. Whooo Hoo! Look like I will be covering alot more arts events in 2010!

United Arts Board Meeting

Yesterday the United Arts Board of Trustees voted to decide if United Arts would help in an attempt to keep Opera alive in Orlando. The Orlando Opera company filed for chapter 7 bankruptcy on April 24th, and the Orlando Philharmonic has offered to help produce limited staged productions where opera singers could perform before the Philharmonic. This endeavor would cost an additional $200,000 and United Arts is offering to help. Over a thousand people had subscribed for Opera season tickets and they were shocked that they could not get their money back when the Opera went bankrupt. Of the $200,000, being invested by United Arts, $50,000 will be used for vouchers to allow the subscribers to attend the Enzian Theater's "Opera on Film Series", and OPO's semi-staged concert Operas.
I had heard that this meeting might get heated since some board members feel that United Arts should only support existing organizations and since the Opera is bankrupt it no longer exists. It was pointed out that all arts organizations are struggling in the present financial climate and the money might be better put to use if it helped keep existing organizations afloat.
The board meeting was actually quite civil. Both sides stated their causes and then a vote was taken by a raise of hands. In the midst of the heated discussion, trumpeting Elephant calls could be heard emanating from the next room in the Shakespeare Theater. This rather surreal moment tended to lighten the mood among the board members. In a final plea, Mark Hagel summed up all the arguments with a simple question, "Do we want Opera in Orlando?" The votes tallied were 20 votes for helping produce limited stage Opera productions, and 3 votes against. With this vote an executive committee will further look into the particulars of the plan and by August 15th the plan will either be a go or no-go. Orlando was once able to boast that it was the only city in Florida with the "big 3" professional companies for Opera, Ballet and a Symphony. Today a crippled Opera continues to tread water.