Wednesday Night Food Truck Pod

TheDailyCity.com will host weekly food truck pods (6-7 trucks) on the Trinity Downtown soccer field (Ruth Lane at Amelia Street) every Wednesday night, 5-8pm, starting this Wednesday August 3, 2011. The pod will offer a relaxed, quiet, family-friendly atmosphere in which to enjoy delicious food from some of the area's top food trucks. As always, bring your own chairs. Street parking is free after 6pm.

I decided to go to the inaugural event. I called Terry who works downtown and she said it was raining really hard. I looked out my window at home and the sun was blazing. Getting into my truck I knew I was driving into the storm. Sure enough, half way into town it began to pour. It was the kind of rain that made me feel like I was driving in a waterfall. The wipers couldn't work fast enough. My passenger side wiper came loose and the rubber part was barely in the mechanism whipping chaotically through the air. It was so bad I considered turning around but I plowed straight ahead hoping the rain would clear long enough for me to sketch. By the time I parked north of Lake Eola, the rain had stopped.

I love the old wooden houses on Amelia Street. Some look like the historical homes of Savannah. One house was gutted, getting a full renovation. Most of the homes date back to the 1920's. This is the type of old neighborhood I would love to live in some day. I knew I was close to the food trucks when I could hear generators. The soccer field grass was wet, moistening my hiking boots. I leaned back against the goal post and got to work. Thunder rumbled on the horizon.

The field was populated by about 50 or so people who had braved the weather. Two workers from the Korean Taco Box Truck came over to watch me work for a while. They liked that their truck was in the foreground. When I was finished I decided to get a shrimp Po-Boy sandwich from the Fish Company food truck. The sandwich and a coke came to $12 which was more than I expected. I sat on the soccer field bleachers with many others. Poppy seeds from the sandwich kept raining into my lap.

I spoke to Mark Baratelli who organized the event. He said he only had 3 days to promote the event and he expects it will grow over time. He was carrying 11 by 17 inch posters promoting the Wednesday night event. I left feeling satiated. When I got back into my truck it began to rain again. A soft drizzle followed me home. Back home I watched weathermen as they tried to track Tropical Storm Emily.

The Sketchbook Project

The Sketchbook Project has been traveling the country hitting large cities everywhere. Now it is in Orlando for two more days. I went on Friday, the first day to see what the buzz was about. I submitted a sketchbook and it is part of this national tour. In all there are over 10,000 sketchbooks from artists from around the world. The mobile sketchbook library is being housed at Full Sail Live which is a brand new state of the art performance space on the Full Sail campus. When I arrived, Mark Baratelli and Brian Feldman were in the lobby. The first order of business was to get a library card, so I got in line to pick up my card.

Inside there are about 10 to 15 bookcases full of sketchbooks. My first impulse would be to thumb through multiple sketchbooks until I found one that caught my eye. Unfortunately you can't walk among the stacks and choose the books yourself. The Project staff have to find the sketchbook for you. You can pick sketchbooks by the artist's name or by geographic region or by the theme. I remember my theme was "Faces in a crowd." I asked for two sketchbooks with that theme. One had over rendered pencil drawings of people's faces from family photos. It had little appeal. The second book was covered in foil and had entire pages boldly painted with gouache. It was bold and interesting. Maisy and Ron Marrs showed up so I shadowed them for a bit so I could glance at Maisy's sketchbook. Her work was fun and whimsical and there was a sketch of me in there which was an unexpected surprise.

I started sketching the long line of people waiting to check out sketchbooks. I spoke with Megan Everhart who was waiting to pick up her 2012 sketchbook. She had driven five hours down here from South Carolina to experience the Sketchbook Project first hand. Her work is abstract and she also does murals. Her iPhone had died so she couldn't continue to shoot photos. I offered her my charger but I couldn't find the wall plug piece. It was somewhere in my bag, but I couldn't locate it among all the art supplies. She had a five hour drive back north so she headed out early. A former Disney colleague, Rusty Stoll was checking out sketchbooks, but after four books he was disappointed in the lack of draftsmanship. I saw Tracy Burke with her parents checking out the work. I kept bumping into people I knew, like Bess Auer of "Central Florida Top 5."

All afternoon I checked out sketchbooks and I was enthralled by the wide variety of the work. At 6pm the founders of the Sketchbook Project, StevePeterman and Shane Zucker took to the stage. They were college buddies and the seed of this project started small. They at first only envisioned 100 sketchbooks would ever be submitted. Over time they had to adjust as the numbers escalated. There are 10,000 sketchbooks now being housed at Full Sail Live. It would be impossible to view every sketchbook even if you spent all three days checking out books as fast as you could view them. The sheer volume of art is staggering. Once again the power of the Internet is making art available to the masses. You have to experience the Sketchbook Project to believe it. It is open today (7/30) and Sunday (7/31) from Noon to 5pm. Don't miss it! Listen to what others had to say...

"This event was incredible!! If you missed it today, check out Sketchbook Project this weekend while you can!!
- Tracy Burke

"The Sketchbook Project was one of the best shows I've ever been to for art! International artists and their sketchbooks and the excitement of being able to share it with everyone!"
- Maisy May Marrs

"Just got back from the 2011 Sketchbook project at Full Sail. It was awesome, so many books to look at. If you have a chance to go and check it this weekend Sat and Sun. 12-5pm. Check out Thomas Thorspecken, Peter Soutullo, Maisy Marrs and some other Florida Natives books while you are there. This is taking place here in Orlando, is free and its at Full Sail Live behind the Mickey D's on 436 and University."
- Chris Tobar

Groundbreaking Celebration

A large tent was erected on the site for the groundbreaking celebration for the Dr. Phillips Center for the Performing Arts. Located across from City Hall, the tent's entrance was right where Magnolia bumps into South Street. I was directed to the media check in table where Jordana Lipkin gave me my press lanyard. The tent was air conditioned, but it was so hot out that everyone was waving their programs to stay cool.

There were rows of white folding chairs, all of which had "Reserved" signs. I bumped into Mark Baratelli of TheDailyCity.com. We took photos of ourselves shoveling the dirt. His face popped up periodically on video monitors so I was hanging out with "the talent." We joked about all the reserved seats. No one was sitting. It seemed that, like the Emperor's new clothes, the event was so exclusive that no one would be allowed to park their butt. The first act on the stage was a string quartet from the Orlando Philharmonic which is ironic since the performance hall will not benefit the Orchestra since it isn't an acoustically designed hall. It will only be good for traveling Broadway shows that use microphones.

The second act, "Sovereign Brass" also had performers from the Orchestra. I wondered if any local performer at the groundbreaking would ever benefit from the new stage. A little girl in a black dress watched the musicians mesmerized.

Andrea Canny joined Mark and I in our prime viewing spot. By now the tent was crowded full of several hundred people. Mayor Buddy Dyer started his speech with a quote from Michelangelo that I rather like...

“The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark.” He said that over 200 businesses have opened since the Amway Center opened. Many of them might be the bicycle driven handy cabs. He stressed that Arts and Culture are the soul of any city, and I couldn't agree more. The tourism industry helped put the whole package together. I just hope they sprinkle enough pixie dust to somehow make the financial numbers work out. In three card Monti we eventually find the Ace of hearts if we bet enough money. Don't we?

Davis Gaines sang "This is the Moment," and for a moment, I believed. There was an orange band of sand in front of the stage. Several people walked on it and the orange crust broke showing the white sand beneath. We speculated that it might be some Tibetan sand art or perhaps it was an indication of the front wall of the new building. Our questions were answered when Buddy Dyer and city commissioners all lined up with shovels to break ground in the orange sand. Cannons fired sending streamers over the crowd and two tent panels were torn open showing huge bulldozers which fired up ready to work.

Food Truck Bazaar

On Father's Day I met Terry and Amanda at the Food Truck Bazaar. The event took place at the Fashion Square Mall (East Colonial Drive and Maguire). I couldn't find the event at first so I drove aimlessly through the Mall parking lot circling around the Mall as best I could. Anytime I am near a mall I feel like I am out of my element. I finally spotted a tent and then the trucks.

I sat in the shade of a tree and got to work. It was blisteringly hot. The Winter Park Fish Company truck was elaborately decorated so that became my focus. Mark Baratelli who organized the event came over to say hello. He was a bit nervous that attendance might be down. He suggested I sketch a few more people. The trucks were lined up on opposite sides of the parking lot. In the center of the lot Ford was offering test drives in a program called "Drive with Purpose." Mark explained that they were giving away $8 vouchers good for any food truck if you took a test drive.

An RV full of friends and children drove from Coco Beach to experience the Bazaar. People sat in lawn chairs and folding tables they had carted from home. One family had their own tent set up in the parking lot. They kept angling the size of the four legs as the sun dipped lower toward the horizon. A large group of bikers sucked down water and calories.

Mark went back to a table where he was selling water. He must have been coaching his volunteers on how to best sell water because he started doing a hilarious jig and he tossed a water bottle in the air like a baton. He missed and the water crashed to the pavement. Terry and Amanda arrived and I finished up my sketch. We ordered several Salvadorian meat filled pupusas. Then we tried several fish tacos from the Winter Park Fish Company truck as well as a delicious Tuna kabob. Baxter, Amanda's dog was a nervous wreck. His tail was curled under between his hind legs and he wasn't happy unless he sat in her lap like a cat.

Just as I finished my fish taco it began to rain. We all dashed to our cars for cover.
If you want to catch a Food Truck Bazaar, here are future dates...

June 26 | 6-10pm | Parliament House

JULY
July 10 | 6-10pm | Oviedo Mall
July 17 | 6-10pm | Fashion Square Mall
July 24 | 6-10pm | Parliament House

AUGUST
Aug 14 | 6-10pm | Oviedo Mall
Aug 21 | 6-10pm | Fashion Square Mall
Aug 28 | 6-10pm | Parliament House

The Attendant

As one of his 11 performances at this year's Fringe Festival, performance artist Brian Feldman, decided to pose as a bathroom attendant. He set up shop in the Orlando Shakespeare Theater's men's and women's room. When I arrived at the men's room, Tisse Mallon was acting as an attendant in Brian's place since he was running late. He ran in with a rental tux slung over his shoulder and went to change in the handicap stall. Tisse helped him with his bow tie and cumber-bun. There was a large tip bowl and plenty of manly items for sale. Some items like Q- tips were complimentary. If you wanted baked beans, a pickle, condom or the latest copy of Jet magazine, there was a price list.

I had only sketched in a public bathroom once before. That time, the bathroom wasn't in use. This time men came and went frequently. Several men must have eaten something nasty from the vendors outside because there were some wet noisy gastric explosions. I suggested that perhaps there should be a quaint fountain sound track in case anyone was unable to concentrate on the task at hand. Some men turned away thinking there must be a line since some people stood around and gawked. I suppose having an artist sketch you while you pee could be distracting. Mark Baratelli came in and snapped pictures. Then he tried to coach Brian on how an attendant should interact with patrons. His examples were hysterical. When someone reached for soap he would thrust his arm in the way and say, "let me get that for you."

There were DVD's for sale as well like Mannequins 2, and films starring Silvester Stallone. I was surprised when one of the five hour energy drinks was sold. I erased it from my sketch. The oddest item was a crusty sea captain sculpture. Ear plugs seemed appropriate should a show be too loud and Advil would help the resulting headache. Tisse offered a tour of the women's room and I stopped my sketch to follow her. In the women's room there was a pregnancy test kit, stockings and an even wider assortment of goodies. It was an odd feeling being in there as women squeezed by to get to the stalls. As I was leaving a women was coming in. Her eyes widened when she saw me and she asked, "Am I in the right place." I said, "Yep, you're at the Fringe."

I rushed off to a show I had been invited to attend by the writers. It was pouring outside. Terry entered the lobby drenched. Through a series of volunteer mistakes and blunders, we were then turned away from the theater, our tickets given away to others in a completely sold out house. If anything can go wrong, it will go wrong. Terry was furious at me for spending so much time in the men's room and not getting into the show I promised her we would see. I think I'm Fringe fried.

CarVerations

Mark Baratelli's "Mobile Art Show" had a different twist this month. Usually, Mark rents a U-Haul truck and has an artist exhibit their work inside. When I arrived at the City Arts Factory this month I found Mark unloading wrappers, newspapers and assorted bottles from the backseat of his beat up 1996 Chevy Cavalier. He put a bottle of mouthwash on the dashboard and loaded everything else into the trunk. He and Brian Feldman, a local performance artist, had decided at the last minute to create an event called "CarVersations," in which people could pay one dollar could sit in the passenger seat and have a five minute conversation with Brian.

Evan Miga showed up having heard about the event on Facebook. Mark had announced it only hours before. Evan showed me some wire that was wrapped around his backpack. At the end of the wire was a silver box with a switch. When he flipped the switch, the wire glowed a neon blue. As we spoke the neon flickered, fluctuating to the volume of our voices as we talked. He plans to use these wires to outline the corrugated robots he is creating for"Dog Powered Robot and the History of the Future" which will be in the Orlando Fringe Festival this May.He said some scenes will be in complete darkness with just the neon glow illuminating the scene. Evan wrapped the wire around the outer edge of the windshield of the car so when people spoke, the wire would glow.

Brian showed up with his portable marquee and he set it up on the roof of the car. Mark shouted to Brian through the windshield, "Three minutes to places!" For some reason, after getting in the car, Brain flipped on the windshield wipers which sent the neon wire twisting in all directions. Mark shouted, "Noooooo!" Brian couldn't figure out how to turn off the wipers quick enough. He shouted back, "How do you turn the wipers off?" I laughed out loud. It was like watching vintage Laurel and Hardy slapstick.

Several SAK Comedy Lab volunteers came down during the event to speak to Brian in the Car. Orlando Live host Peter Murphy had an interview with Brian, which the cameraman filmed from the backseat. My wife stopped by, paid her dollar and spoke to Brian for five minutes. I am not sure I gave her a solid five minutes of my attention since I was struggling with the sketch on my digital tablet. Before I knew it, CarVersations was over. Mark drove off and I continued to throw down digital washes till I was satisfied.

A Kindness of Ravens

There was a mad rush to get things finished opening night of Macabre Vignettes #3 Snow. There was the enraged search for an electrical chord which involved throwing things out of the way and then a mad flash of black Duck taping the wiring down. Audio equipment was being moved from downstairs to the balcony in the final moments. Seth Kubersky announced, "5 minutes to open house!" A few dancers who were still dressing and applying make up said, "Thank you 5." That didn't leave me with much time to finish my sketch. Below they were working on a dance routine that involved interacting with a large raven. The dancer held two lines that manipulated the birds sharp talons. As they rehearsed, Genevieve Bernard walked quickly by getting ensnared in the near invisible lines. "My bad." she said. There was no harm done. It seemed like there were too many loose ends for the show to open on time. Leah called for a 5 minute extension. The pulse in the room quickened. Finally Seth shouted out, "House 0pen!" People started to drift in. I had a few more watercolor washes to add and I slapped them down. Showtime!

I walked down the web encrusted staircase and ordered a Blue Moon at the bar. Then I put the sketchpad away and relaxed on a green couch . The show had already started with dancers wandering among the audience marveling at the environment. Bloggers Jana Waring and Mark Baratelli wandered in. The dancers were in their own world never interacting with audience members. Once a dancer held a hand out towards a man walking by. He hadn't noticed her and her longing gesture lingered. When the dancers moved among the ravens, one of the control wires got all tangled in a knot among the talons. The bird hung limply just a few feet in front of me. Finally I couldn't resist, I stepped forward and untangled the poor bird and then held the control line. A dancer leaped toward me and took the line smiling. However the bird had spun so many times that he couldn't be raised any higher. The dancer valiantly held the line but the bird would only loose altitude never going back up. It finally fell to the floor and was brushed aside by Leah. I admired the dancers for adjusting to such technical problems without missing a beat.

Over time the dancing was no longer enough to hold me. I needed some thread of story to keep me engaged. I never became involved enough to suspend my disbelief. Staging the large puppets was a problem since they were best viewed from the front. They would spend agonizing moments with their backs to the audience. I walked around the room incessantly, changing my point of view. Most of the audience however remained stationary unable to see the action or gesture of the puppets. Tamara Marke-Lars stated that the large creations were sculpture first and puppets second. She pushed the boundary between puppetry and art. Sometimes for me, art isn't enough if it doesn't support a solid story.

Interview with Robert Hill

Mark Baratelli invited me to come out and sketch an interview he was having with Robert Hill, the Artistic Director of the Orlando Ballet. The interview took place at the Orlando Public Library. Mark kept the interview entertaining and funny. This is Robert Hills second year as the artistic director and he is on a mission to make ballet relevant to the world we live in by providing audiences with contemporary choreography, music and subject matter while continuing to preserve classical ballet that have stood the test of time. The Orlando Ballet's 37th season begins with Giselle which is one of the timeless classics. For the holiday season, Nutcracker will return to the stage and in February Battle of the sexes hits the stage for a second time. The season will close with Carmen based on the opera.
Questions were fielded from the audience . A man stood and asked, "With a stage filled with dancers, how do we know where to look?" Robert said, "Actually that is a really good question, If the choreography is done right, it will lead your eye." Mark asked a question which bought a laugh from the audience, "Do you let your dancers eat?" Robert responded by pointing out how he encourages his dancers to eat healthy foods.
Conducting the interview in a public place like the library is part of the plan to bring the ballet to a wider audience. After the interview was over, I approached Robert asking him to allow me to sketch rehearsals. He seemed enthusiastic and he said his assistant would call me. I have wanted to sketch ballet rehearsals for well over a year and it looks like I might finally realize that dream.

Fringe - Outdoor Stage

Mark Baratelli, the editor and chief of thedailycity.com, took to the outdoor stage for two nights. Mark didn't have a prepared script, he simply took to the stage and started talking. He started talking about waiting in line for the Cody Rivers Show. I was in line with him along with Sultana. Someone told Mark that he had parked in a construction site and he would be towed if he didn't move his car. The line started moving and people poured into the theater. Mark didn't have enough time to move his car and still get back for the show. He decided he had better move his car. He said this loud enough for everyone around him to hear. I didn't think he would get towed and I told him so. Finally he decided to move his car. He was locked out of the show. He had made the right decision since a tow truck had been sent to the site.
Mark continued telling everyday anecdotal stories for more than an hour. This sort of relaxed conversational tone is very similar to blogging . He bought up a good point when he said that the outdoor stage is underutilized. There is a stigma to the outdoor stage where people assume only bad acts would perform outside. Mark thought it would be a good idea to have a panel discussion outside with all the out of town acts. This seems like a great idea. It would be a way for the Fringe audience to learn more about the performers and producers. It would be awesome if a hint of the creative process could be unearthed and mined. He particularly wants to find out more about some of the amazing one man shows like "The Bike Trip."

WPRK 91.5FM - Out and About

Via Facebook Mark Baratelli contacted me and asked if he could borrow my printer so he could print photos for an upcoming show. Every third Thursday of each month Mark puts on a "Mobile Art Show" in a U-Haul truck parked outside City Arts Factory. This month he plans to showcase all the photos that have been take for thedailycity.com. We bounced ideas back and forth on where we could meet and we decided to meet at WPRK a radio station located on the Rollins College campus. Mark would be there to showcase upcoming arts and culture events as listed on thedailycity.com. I arrived early so I would have a full hour to sketch. Jeremy Seghers, the Out and About host, greeted me and then got his guest situated for his on air interview. Seated in the guest chair was Jesse Nager who is now appearing in Xanadu at the Bob Carr Theater. Jesse also discussed a cabaret show he organized with friends of his. An album is being released called "The Broadway Boys" that features hits from this group of talented singers. He wanted to stress that that even people who don't usually listen to show tunes would like these performances. He expressed how fun it was to collaborate with so many of his friends.
Jesse and Jeremy discussed the plot line of Xanadu at some length and now I am really curious to see this Broadway musical. It seems the play pokes fun at itself and it's 1970's culture and should be very campy and fun. The music to this show I have heard many times many times on the radio, not realizing it was from a Broadway show.
Zac Alfson was also on hand to promote the Cabaret House Party at Mad Cow Theater featuring K. T. Sullivan. I will be going to this Cabaret performance tonight and I hope to get a good sketch of K.T. Zac pointed out that there will be cabaret performances every night through May 16th. The Mad Cow offers an intimate setting in which to experience these one of a kind acts.

Florida Film Festivel Preview Party

The Enzian Theater held a sneak preview of the films that will be featured in this year's Florida Film Festival. When I arrived, there was quite a crowd gathered at the Eden Bar outside. As I was milling about, I bumped into Jordana Meade, the Enzian publicist, and I was pleased and delighted when she directed me to a table inside to pick up a press pass for the festival. Back outside, Lynn Warnicke was shouting at me from behind the table where they were issuing wristbands. I thought I was above needing a wristband after getting my shiny new press pass, but she insisted I needed one and closed the deal when she told me I could get a free beer. Band me up! The free beer was being offered by Peroni and I quickly picked one up from the lovely woman behind the bar. It was rather sharp-tasting and thin for my tastes, but hey, that didn't stop me from drinking it.
In the theater, there was an area roped off for press, and it took me a while before I finally realized that meant I could sit front and center. Feeling self-conscious, I ducked under the rope. I immediately found an empty table and started sketching. Mark Baratelli and his crew from TheDailyCity.com came over to my table and joined me. They all had samples of the food being offered. I had skipped the food not wanting to wait in line. Jordana sat down with us saying, "I want to join the cool kids." She explained that the theme of the festival has to do with savoring the flavors of the south. Deena Beena had a bright pink pickle and Jordana explained that it was a pickle soaked in Kool-aid, called a Koolickle, and it was a southern delicacy. In a gift bags given to all the press, there was also Barkolate, which is chocolate covered bacon provided by Chateau Confections of Winter Park. This year the festival has a deal with Nestle and they have an endless supply of Cranberry Raisinets!
Back on stage, Governing Board Member, Henry Maldonado,gave a brief introduction to a film which highlights what the Festival has to offer this year. The Florida Film Festival allows you to rub shoulders and even share a drink with the filmmakers themselves. I know that this year I will be offering plenty of sketches from the front lines of this amazing festival which runs from April 9th to April 18th. Mark your calenders and get ready for an exhilarating experience. Welcome home to ten days of film, food and friends.

Mobile Art Show

TheDailyCity.com hosts the Mobile Art Show every month parked outside the City Arts Factory (29 South Orange Avenue) during "Third Thursdays." On Third Thursdays, the downtown art galleries all open new shows allowing for a solid night of gallery hopping. In February Mark Baratelli of the Daily City decided to fill the truck with the posters of LURE Design. This was a simple show to hand since all the posters were about the same size and they could be hung with bull clips zip tied to the existing rubber bumpers inside the truck. January 21st is when this show of posters took place.
Mark drove the rental U_Haul to Frames Forever where Katie Windish had promised to help hang the show. Mark started taping huge sheets of brown paper on the side of the truck that was going to face the City Arts Factory, while Katie was hanging the posters inside the truck. As I sketched it started to rain. Katie told me I could borrow an umbrella from inside her show so I ran in and got it. So part of this sketch was done in the pouring rain while I hunkered under her umbrella. Then the wind started to pick up causing to rain horizontally and I dashed inside the truck. The windy deluge didn't last too long and I soon went back out to finish up the sketch.
That night I went downtown to see the Mobile Art Show in action for the first time. Brian Feldman was outside the City Arts Factory doing his latest performance which involved charging peoples cell phones. Because of the pending rain, I decided against sketching that night. This sketch would have to do for the day. Mark had decorated the inside of the U-Haul with white Christmas lights and it was really festive. I am trying to convince Mark to allow me to plaster the side of the truck with ink jet prints all 365 sketches from last year and then have the 2009 sketchbooks and some matted prints inside the truck. At the FRESH performances this month I have figured out how to offer any print from the sketchbooks by using a tablet PC and an ink jet printer. As Mark said when he say this set up, "That is bad ass!" So keep your eyes open downtown on the Third Thursday of March!

Producing Large Arts Events in Orlando

Mark Baratelli hosted a two hour event at Rollins College which gathered together the people who organize large arts events in Orlando. Mark is planning to organize an Improv Festival and as the moderator he asked each of these people advice on how he might best organize his Festival.
The Organizers in the sketch are (Left to Right):
Jamie Donmoyer of the Orlando Puppet Festival
James Schoepflain of the Orlando Hispanic Film Festival
Beth Marshall of the Orlando Fringe Festival
Carol Moreland of the Winter Park Sidewalk Art Festival
Chris Blanc of the Florida Film Festival
John Carter of Nerdapaloosa
and Mark Baratelli
The line from Chris Blanc which best summarized how to set up a first attempt at a festival was:
"Keep it simple. small and centralized".
I became interested in the comments of Beth Marshal when she started talking about the Lake Eola incident I had witnessed the day before. She spoke about the larger issues revolving around the incident. Beth and all the panelists had a heated discussion to hear it all head to The Daily City and listen the audio from the event.
Beth said, "There is one thing about how to get a permit with the city, that has its own set of problems, but it is really pretty much self explanatory. It is relatively inexpensive. It is not something that can be done quickly. I completely understand why this small group who was just doing this 20 minute thing, didn't get a permit because they were just going to the park and dance, big deal."
"The issue isn't getting the permit as much as it is the logistical hassles. The problem is in the fine print, for example, if I have someone who decides they want to put a poster on a city light pole, that can't happen, because there is some fine print prohibiting that. So the city will come and take a picture of the poster on the light pole and they send that to me and tell me, Beth, you have to do something about this poster on a light pole. So I walk and I take the poster down. Then I get an e-mail from the city that says, you need to do something about the tape on the light pole."
"If the city wants us down here doing our events, if the city wants us to have a community presence that generates dollars that come out of market back into our community, then you have to make it easier for us to do it. Period end of story."

SAK Comedy Club

The SAK Comedy Lab held a panel discussion among eight members of the improv comedy group. For the first half of the panel, Richard Paul acted as the MC and asked questions of the troupe. When asked where did each of you come from, everyone answered at once.
When asked what their greatest horror story was on the stage, Mark related a story in which he had been given a bottle of Champagne before a performance. He had never had Champagne before but he decided to have a few drinks right before going on stage. He stumbled onto the stage and "acted" drunk holding onto the bottle. Before long he realized that he was drunk and his act was quickly sliding down hill. Unfortunately he wasn't a funny drunk. This was his most embarrassing moment of his career.
Robyn who is the only female member of the cast related that she grew up in a family with all brothers and herself.She said that growing up in a family of all brother prepared her for the stage. She then gestured to all the med seated beside her. She then related that she would like to see more women get into comedy. She also want to see women break out of established roll, for instance the ditsy blond. She also said women can aspire to any position and any roll is possible. At this point David Russell shouted out "Except President!" This got a big laugh from the audience.
David Russell related a story in which he decided to go on stage with pants o n his arms and his legs stuffed through shirt sleeves. He wanted to enter on stage walking on his hands but dressed as if he was right side up. He forgot that the shirt had a large opening for his head and became concerned when he felt a breeze between his legs. Mike Carr chimed in "That is why they call it the SAK Theater."
David summed up the ingredients for great comedy with three simple ingredients: Truth, Excellence, and joy. This was my first time visiting the SAK and I definitely want to experience more.

Taco Truck Taste Test

Mark Baratelli at the Daily City.com, organized a spontaneous taco truck taste test for avid readers of his blog. This Taco Truck is located in front of Trinidad Auto Repair Center at 815 South Sermoran Blvd. Mark had wonderfully colorful bumper stickers printed up and a small color program and menu. Since the Orlando Sentinel wanted a photo of me sketching they were going to send a photographer to the TTTT to shoot me while I worked. I figured this was a great chance for the alternate media in this town to get some traditional media coverage.
Then it rained starting first thing in the morning and lasting all day long. The Sentinel decided to cancel the photo shoot but I went to the taco truck site anyway hoping that there might be a break in the rain. When I arrived there was no one in site. The rain was a fine mist and it slowly stopped. I saw Mark drive up and park behind the Auto repair shop where the taco truck was parked. Then slowly people started to arrive. Logan Donahoo was the first to place an order so I placed him front and center in the sketch. In all perhaps 10 people showed up for the taste test and they were rewarded with some very fine food. I worked frantically on the sketch trying to keep the few rain drops from destroying the lines as I put them down. Once in a while a huge drop would fall from the power pole I was leaning against and it would slap down on the sketch giving me a fright. With the truck filling my field of vision I didn't get to sketch everyone waiting in line, but trust me there was a line that flowed off the sketch to the right.
Mark interviewed people after they finished eating to compile an in depth review of the samples offered. I was still placing watercolor washes on the sketch as people started to leave. The cook running the truck speaks no English so ordering was a challenge, I asked a few people for advice as to what was good and I settled on Arepas with Camarones or shrimp. They came in a soft corn shell cooked with salt and olive oil, packed on top was plenty of Swiss cheese. For a drink I had a Colombiana soda which had a vanilla kick and was quite good. As I was eating I spoke to a Spanish woman who had ordered the exact same menu items as me. She travels all the way from Apopka to come to this little mobile stand. She said she comes here several times a week. I decided to show the stand owner the sketch to see what he thought. He made a scribble gesture with his hand and pointed to me and I nodded yes. He smiled and handed the sketchbook back. Good food and art are universally understood.